Senin, 31 Januari 2011

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Some have claimed that "War is too important to be left to the generals," but P. W. Singer asks "What about the business executives?" Breaking out of the guns-for-hire mold of traditional mercenaries, corporations now sell skills and services that until recently only state militaries possessed. Their products range from trained commando teams to strategic advice from generals. This new "Privatized Military Industry" encompasses hundreds of companies, thousands of employees, and billions of dollars in revenue. Whether as proxies or suppliers, such firms have participated in wars in Africa, Asia, the Balkans, and Latin America. More recently, they have become a key element in U.S. military operations. Private corporations working for profit now sway the course of national and international conflict, but the consequences have been little explored.

In Corporate Warriors, Singer provides the first account of the military services industry and its broader implications. Corporate Warriors includes a description of how the business works, as well as portraits of each of the basic types of companies: military providers that offer troops for tactical operations; military consultants that supply expert advice and training; and military support companies that sell logistics, intelligence, and engineering.

This updated edition of Singer's already classic account of the military services industry and its broader implications describes the continuing importance of that industry in the Iraq War. This conflict has amply borne out Singer's argument that the privatization of warfare allows startling new capabilities and efficiencies in the ways that war is carried out. At the same time, however, Singer finds that the introduction of the profit motive onto the battlefield raises troubling questions―for democracy, for ethics, for management, for human rights, and for national security.

  • Sales Rank: #271697 in Books
  • Brand: Brand: Cornell University Press
  • Published on: 2007-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .20" w x 6.13" l, 1.08 pounds
  • Binding: Paperback
  • 360 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
A security analyst at the Brookings Institution, Singer raises disturbing new issues in this comprehensive analysis of a post-Cold War phenomenon: private companies offering specialized military services for hire. These organizations are nothing like the mercenary formations that flourished in post-independence Africa, whose behavior there earned them the nickname les affreux: "the frightful ones." Today's corporate war-making agencies are bought and sold by Fortune 500 firms. Even some UN peacekeeping experts, Singer reports, advocate their use on grounds of economy and efficiency. Governments see in them a means of saving money-and sometimes a way to use low-profile force to solve awkward, potentially embarrassing situations that develop on the fringes of policy. Singer describes three categories of privatized military systems. "Provider firms" (the best known being the now reorganized Executive Outcomes) offer direct, tactical military assistance ranging from training programs and staff services to front-line combat. "Consulting firms," like the U.S.-based Military Professional Resources Inc., draw primarily on retired senior officers to provide strategic and administrative expertise on a contract basis. The ties of such groups to their country of origin, Singer finds, can be expected to weaken as markets become more cosmopolitan. Finally, the overlooked "support firms," like Brown & Root, provide logistic and maintenance services to armed forces preferring (or constrained by budgetary factors) to concentrate their own energies on combat. Singer takes pains to establish the improvements in capability and effectiveness privatization allows, ranging from saving money to reducing human suffering by ending small-scale conflicts. He is, however, far more concerned with privatization's negative implications. Technical issues, like contract problems, may lead to an operation ending without regard to a military rationale. A much bigger problem is the risk of states losing control of military policy to militaries outside the state systems, responsible only to their clients, managers, and stockholders, Singer emphasizes. So far, private military organizations have behaved cautiously, but there is no guarantee will continue. Nor can the moralities of business firms be necessarily expected to accommodate such niceties as the laws of war. Singer recommends increased oversight as a first step in regulation, an eminently reasonable response to a still imperfectly understood development in war making.
Copyright 2003 Reed Business Information, Inc.

Review
"Provides a sweeping survey of the work of MPRI, Airscan, Dyncorp, Brown and Root, and scores of other firms that can variously put troops in the field, build and run military bases, train guerrilla forces, conduct air surveillance, mount coups, stave off coups, and put back together the countries that wars have just destroyed."―The Atlantic Monthly, October 2003

"Provides a thoughtful, engaging critique of the U.S. government's growing dependence on private companies to wage war. Mercenaries in the employ of the Pentagon have made news with every new controversy in Iraq, from the ambush that sparked the siege of Fallujah to the prisoner abuses in Abu Ghraib prison and the raid on Ahmed Chalabi's offices. The involvement of those for-profit fighters has inspired plenty of political vitriol, much of it directed at Halliburton, Vice-President Dick Cheney's former employer. But there are some less-well-known players here, too: DynCorp, MPRI, and ICI Oregon, which do everything from database work to intelligence-gathering."―Business Week, 28 June 2004

"The creeping military-industrial complex about which President Dwight Eisenhower warned us five decades ago has reached critical mass. In fact, P. W. Singer, a security analyst at the Brookings Institution, suggests that Ike would be flabbergasted by the recent proliferation of privatized military firms and their influence on public policy both here and abroad. Calling them the corporate evolution of old-fashioned mercenaries, Singer's illuminating new book, says they provide the service side of war rather than weapons."―Christian Science Monitor, 14 August 2003

"The first notable book on the subject."―The Financial Times, 11 August 2003

"Large-scale wars may still be the sole provenance of sovereign governments, but many countries are now quietly outsourcing smaller-scale functions to privatized military firms (PMFs), which do not carry the same political weight as national troops. These firms might build camps, provide supplies, or furnish combat troops, technical assistance, or expert consultants for training programs. This is a new area for policymakers to debate and scholars to explore. . . . This portrait of the military services industry is well documented with many footnotes and a lengthy bibliography."―Library Journal, July 2003

"After reading this book, it is impossible to see the landscape of insurgencies, civil wars, and inter-state wars the same way again. Peter Singer's book is a rare find: a study of the breakdown of the state monopoly on war that challenges basic assumptions in international relations theory; an exploration of the many different ways in which privatized military firms pose both problems and opportunities for policymakers; and a fascinating read for anyone interested in the changing nature of both international security and international politics."―Anne-Marie Slaughter, Dean of the Woodrow Wilson School of Public and International Affairs, Princeton University

"A must read for anyone interested in the art of war, Corporate Warriors is a fascinating analysis of a new, often secretive, global industry. Marked by impressive research, this path-breaking study describes a pattern of increasing reliance on private military firms by individuals, corporations, humanitarian groups, governments, and international organizations. This is a masterful book that will appeal to students, scholars, policymakers, and lay readers alike."―Stephanie G. Neuman, Director of the Comparative Defense Studies Program, Columbia University

From the Inside Flap
"After reading this book, it is impossible to see the landscape of insurgencies, civil wars, and inter-state wars the same way again. Peter Singer's book is a rare find: a study of the breakdown of the state monopoly on war that challenges basic assumptions in international relations theory; an exploration of the many different ways in which privatized military firms pose both problems and opportunities for policymakers; and a fascinating read for anyone interested in the changing nature of both international security and international politics."—Anne-Marie Slaughter, Dean of the Woodrow Wilson School of Public and International Affairs, Princeton University

"A must read for anyone interested in the art of war, Corporate Warriors is a fascinating analysis of a new, often secretive, global industry. Marked by impressive research, this path-breaking study describes a pattern of increasing reliance on private military firms by individuals, corporations, humanitarian groups, governments, and international organizations. This is a masterful book that will appeal to students, scholars, policymakers, and lay readers alike."—Stephanie G. Neuman, Director of the Comparative Defense Studies Program, Columbia University

Most helpful customer reviews

56 of 56 people found the following review helpful.
Brilliant foundation, commands further studies
By Vincent Poirier
Throughout history, private interests have performed military duties and always proved a critical political factor. Celts and Germans worked in the Roman Emperor's personal Praetorian Guard, King Edward I employed professional companies of archers, and the Swiss fought all over Europe, and are still guarding the Vatican. It's only in the 19th and 20th centuries that the state has become the sole legitimate agent in the conduct of military operations. The 1990s, however, have witnessed the emergence of private organized interests at every level of military operations. The twist comes because today these private military firms (PMFs) are organized as twenty first century corporations, with business plans and long term profit objectives.

Singer's analysis begins with an account of private military interests in ancient and modern times. This gets us used to the idea that PMFs have been around before and are really nothing new. In the second section, Singer classifies PMFs in three segments, each characterized by how far its activities are from actual fighting. First and most obvious there are the military provider firms that place frontline military units (e.g. Executive Outcomes) second there are the consulting firms who train and shape a client's military (e.g. Military Professional Resources Inc.) and third there are the firms that provide logistical and support services such as food delivery (e.g. Brown and Root).

Lastly, Singer examines the implications of using PMFs, which of course being corporations are motivated by profit. Singer illustrates how seemingly simple precepts result in fiendishly complex moral problems.

Do we feel uneasy at for-profit military firms? Of course we do and so we are tempted to dismiss any question of using them. But In 1994, one of the more unsavory firms, Executive Outcomes, created a plan that for some 150 million dollars could have stopped the Rwandan genocide and saved hundreds of thousands of lives.(*) The UN Security Council balked at the costs, nothing was done until the genocide was well under way and half a million people were butchered.

Do we support relief organizations such as CARE? Do we give them money? I do. But how should we feel about the Red Cross and CARE using that money to hire PMFs as protection? Is it right for them to support PMFs? Is it right of us to expect them to go into dangerous situation with inadequate UN or local military protection?

Singer's conclusions are only tentative, and given the emphasis he's placed on how complex the moral dilemma is, this is only proper. He neither condemns nor supports the rise of PMFs, he merely states that they exist and are on the rise, he describes how they operate, and he points out the practical and moral dilemmas that arise from making use of them. He ends with a rewording of the proverb that war is too important to be left to generals: war is too important to be left to private industry. In other words, he warns us that while PMFs are here to stay we must keep them in check and on a leash.

Vincent Poirier, Tokyo

(*) See comments for more on this.

VP

29 of 30 people found the following review helpful.
An great look inside the modern private military companies
By A. Sandoc
P.W. Singer has written a very insightful and detailed look into the modernization and globalization of the private military firms. The private military firm is not a new concept but actually dates back thousands of years. These firms are better known under the more controversial name: mercenaries.

It'd be unfair to say that all private military firms are like the mercenary companies of old. Sure there are still flight-by-night firms that hire themselves out to the highest bidder, switching allegiances on a dime, and committing acts of brutality that made them so infamous during the African civil war and wars of liberation in the late 1950's and through most of the 1960's. The modern private military firm as described by Singer has more in common with corporations that deal in outsourcing specific jobs.

Corporate Warriors goes through in describing the many different types of firms. From the provider firms like Executive Outcomes (a famous early 90's firm created by former South African military operatives) which take a fron-line role in training, advising and fighting for their clients. Then there's firms like the US-based MPR who provide military assistance in the form of advisors that range from ex-generals to former veteren noncoms. The third type would be firms like Halliburton who provide non-combat services (mess hall, laundry, logistics, etc...) for the US Military and its allies.

What all these types of private military firms have in common is in the way they are run. These firms are run like Fortune 500 firms and alot of the companies in the Fortune 500 make use of these firms' services. Whether for help in negotiating with the governments of third world nations to security detail for corporate officers. These firms in the last decade or so have seen a rise in their profits as the US government and its military services have begun outsourcing noncombat duties to outside firms. It is this new practice begun by the US and mirrored by its allies that Singer points should be a concern.

Such firms are not bound by the rules of war and engagement. They also don't fall under the rules of the Geneva Convention in terms of prisoner status in the event employees of such firms become so. With the proliferation of PMF operatives and advisors in combat zones around the world it's inevitable that such employees will become front-line participants in such conflicts instead of staying out in the sidelines. One prime example of such an occurence was the ambush and killing of four Blackwater security operatives in Iraq. In fact, employees of these PMF's account for a very lrage percentage of civilian contractors killed in Iraq and Afghanistan. Another example where the line between military and civilian has blurred has been the use of civilian contractors to advise and conduct interrogations not just in Abu Ghraib, Iraq but also in Guantanamo Bay. Such a blurring of the lines has led to corruption and criminal acts.

Singer points this out in detail and sees the trend of governments using civilian contractors to supplement their military more and more in the years to come as a dangerous shift in miitary policy. Singer doesn't just point out the negative consequences of overuse of the PMF's. He also acknowledges that such firms does provide great service to their clients and have become an integral part of the global economy. Singer knows that like any industry the private military firms are here to stay, but with more governmental accountability and oversight of these firms then their negative impact on the political and strategic arena can be minimized.

I highly recommend this book as it takes a centrist approach in dealing with the subject of private military firms and the issues their sudden rise as a power industry has brought to the forefront.

0 of 0 people found the following review helpful.
Four Stars
By AlwaysReading
A fascinating read.

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Jumat, 28 Januari 2011

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  • Sales Rank: #6768633 in Books
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  • Binding: Paperback
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Fat Chance, by Aviva Orenstein

Confident at work but clueless at love, Claire is 40 and overweight—not a recipe she imagines can solve the romance gap. Dealing with her father’s death and an angry teen doesn’t make it easier. Finding no help from her ex, who is distracted by remarriage to a much younger woman, Claire copes by relying on a faithful circle of friends, a wicked sense of humor, and a new interest in fitness. When Claire meets Rob, a beguiling, slightly pudgy man at the gym, there is an instant connection. Just maybe she can haul the composure she finds at work into the gym with her. Or is it fat chance for that?

“A funny, moving portrait of a small-town Jewish community and the people who inhabit it, including a single mom coping with loss, a teen, and modern love. You’ll be rooting for Orenstein’s characters—especially her witty, lovably self-deprecating heroine—the whole way through.”
— Jennifer Richler, author of writing appearing in The New York Times, Slate, Salon, and The Atlantic

“Fat Chance is an evocative journey that sharpens our contact with what it means to be human. And it is a hilariously loving yet unflinching portrait of a woman imprisoned by the body she thinks isolates her from love and—maybe more important—sex. Orenstein is like a magician pulling pennies from the air, infusing the haunting with laughter, the seeming inescapability with hope, and in the end offers the surprising and poignant gift of a special kind of joy.”
— Michael Adams, author of Blind Man’s Bluff and Anniversaries in the Blood

  • Sales Rank: #487454 in Books
  • Published on: 2016-02-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .53" w x 6.00" l, .70 pounds
  • Binding: Paperback
  • 232 pages

About the Author
AVIVA ORENSTEIN is a Professor of Law and Val Nolan Faculty Fellow at Indiana University’s Maurer School of Law. She lives in Bloomington, Indiana.

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5 of 5 people found the following review helpful.
A Charming and Enjoyable Read
By Allison Hess
I started and finished 'Fat Chance' this weekend (It is notable that that the newest season of House of Cards was just released - tough competition!!) Finishing the book rather than binge watching Netflix was an easy decision as I quickly became invested in Joanie, Sam, Rob and - of course - Claire. I read quite a bit - typically one or two books each week - and give 'Fat Chance' 5 enthusiastic stars. The book is funny, surprising and well-told. If you're looking to get lost in a smart story with memorable characters search no further! (Here's hoping 'Fatter Chance' and 'Fattest Chance' are in the works...)

5 of 5 people found the following review helpful.
A Joy Ride through Jewish Suburbia!
By Ruth Cohen
Move over Jonathan Tropper! Orenstein's sweet and sassy romp through upper middle class Jewish suburbia is a joy. Her characters are funny, earnest, and exasperating. You'll be rooting for Claire, the zaftig heroine, from the moment she sinks her teeth into that first jelly doughnut! We all need a friend like Claire.

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A Well-Rounded Woman
By Amazon Customer
Aviva Orenstein has created an engaging, well-rounded (in every sense of the word) character in Claire. Claire is definitely someone with whom you would like to break bread, or more appropriately, share coffee and doughnuts. Do not be misled by Claire's deft one-liners -- her humor is interlaced with some heart-wrenching issues!

Ellen S. Goodman

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Kamis, 27 Januari 2011

[G534.Ebook] Download Ebook The Art of Living, by Wilfred peterson

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The Art of Living, by Wilfred peterson

Art of Living.

  • Sales Rank: #250969 in Books
  • Published on: 1961
  • Number of items: 1
  • Binding: Hardcover
  • 53 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
How to better live your life....
By johanna
I purchased several copies of this book for gifts and I along with the recipients find the beautifully written philosophy on life are those to live by....

5 of 5 people found the following review helpful.
A Book to Read Every Single Day
By Robert L. Eicholz
Few books have influenced my life more than this one. It's like having a wise mentor who is available to you 24 x 7.

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Rabu, 26 Januari 2011

[T448.Ebook] Free Ebook Por que los hombres se casan con las cabronas: Una guia para mujeres que son demasiado buenas (Spanish Edition), by Sherry Argov

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  • ¿Cómo puede ella pedirle que le pida matrimonio sin decir una palabra?
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Uno de los "10 libros sobre relaciones más emblemáticos de los últimos diez años". --Yahoo!

  • Sales Rank: #341106 in Books
  • Published on: 2014-06-30
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 8.44" h x .75" w x 5.50" l, .66 pounds
  • Binding: Paperback
  • 272 pages

About the Author

Sherry Argov es la autora de Por que los hombres aman a las cabronas. Sus libros han alcanzado el primer lugar en exitos de ventas internacionales y se publican actualmente en 30 idiomas. La autora ha sido presentada en The Today Show, The View, TMZ, MSNBC, Fox News Channel y MTV. Sus textos han sido publicados en mas de cien revistas y periodicos que incluyen Vanity Fair, People, Elle, Glamour, Esquire, Cosmopolitan y Us Weekly.

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1 of 1 people found the following review helpful.
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Rabu, 19 Januari 2011

[U801.Ebook] Free PDF Korean Flash Cards: Learn 1,000 Basic Korean Words and Phrases Quickly and Easily! (Hangul & Romanized Forms) (Downloadable Audio Included)

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Korean Flash Cards: Learn 1,000 Basic Korean Words and Phrases Quickly and Easily! (Hangul & Romanized Forms) (Downloadable Audio Included)

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Korean Flash Cards: Learn 1,000 Basic Korean Words and Phrases Quickly and Easily! (Hangul & Romanized Forms) (Downloadable Audio Included)

Everything needed to learn to read, write, speak, and understand the basic and most useful words in the Korean language is in this handy set of flash cards—including many hundreds of phrases and sentences using them.

The cards in this volume are a great way to learn Korean and contain the most common words and expressions used in daily Korean communication—concrete nouns as well as verbs and adjectives that form the core Korean vocabulary. These are grouped thematically to enable easy memorization and retention. A sample sentence is given to illustrate the use of the main word on each card which is often a well-known Korean saying or an idiom.

Each card features on the FRONT:

  • Main word, plus 4 related words and phrases to help you use it.
...And on the BACK:
  • Main word and related words' English meanings, Korean script and romanizations.
  • A sample sentence in Korean, romanization, and English translation.

  • Sales Rank: #248632 in eBooks
  • Published on: 2015-03-03
  • Released on: 2015-03-03
  • Format: Kindle eBook

About the Author
Soohee Kim, Ph.D. is on the faculty of the University of Washington's Department of Asian Languages and Literature. She has taught the Korean language to a wide variety of learners in both the US and Asia.

Most helpful customer reviews

11 of 12 people found the following review helpful.
I like that each word has 4 other related words on ...
By Amazon Customer
These are really handy for learning Korean vocabulary. I whip them out when I'm walking, standing in line, or whenever I have a few minutes in between tasks really. I like that each word has 4 other related words on the same flashcard, it makes for building links which helps me to remember words more easily. However, the sample sentences are terrible. Not that I they're grammatically incorrect or anything (that I know of, I'm only a beginner ^^), but the wording of the sentences just seems forced and unnatural, and they use English phrases, as in, instead of a sentence from Korean that they translate into English, it's an English phrase translated into Korean. As a language learner this really irks me. Especially since I learn better when words are put into context.

Other than that though, I really like this set and would recommend.

3 of 3 people found the following review helpful.
Love these flashcards
By Nechelle Robinson
Love these flashcards. I had already begun learning the Korean language once I received these cards and they have been a great help. Especially the corresponding audio so I know the proper sound, and pronunciation. I love that there are sentences that show proper usage of the words presented and feel this has been such a helpful way to learn the language. Would definitely suggest learning the alphabet front ways and back ways and feel once you get a true grip on the alphabet and proper pronunciation of the alphabet first you will find these cards even more helpful.

0 of 0 people found the following review helpful.
great for building your basic vocabulary
By Amazon Customer
These little cards are really neat; great for building your basic vocabulary. I love that the related words are on the cards too! They're made of high-quality materials and while you don't want to be too rough with them, I think they're nice to carry around with you to look over in your spare time.

However, I'm not sure if the sentences are very helpful, especially if your knowledge of grammar is lacking. Some of them just steem a little awkward.

The main change I would make to these flashcards is...I hate where the hole is punched! I know that's such a nitpicky thing but I wish the key ring went through the top left or something, not the bottom right. I feel like it messes with my whole flow! :P Otherwise I'm quite satisfied with this purchase.

See all 40 customer reviews...

Korean Flash Cards: Learn 1,000 Basic Korean Words and Phrases Quickly and Easily! (Hangul & Romanized Forms) (Downloadable Audio Included) PDF
Korean Flash Cards: Learn 1,000 Basic Korean Words and Phrases Quickly and Easily! (Hangul & Romanized Forms) (Downloadable Audio Included) EPub
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Jumat, 07 Januari 2011

[K894.Ebook] PDF Ebook El Ocaso de Chavez (Spanish Edition), by Ludmila Vinogradoff

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El Ocaso de Chavez (Spanish Edition), by Ludmila Vinogradoff

Esta es una historia sobre la agonía oculta del ex presidente Hugo Chávez Frías y la oscura trama de su sucesión, producto de una investigación de la periodista venezolana Ludmila Vinogradoff. El relato se basa en dos testimonios de excepción: el del doctor José Rafael Marquina y el de la azafata presidencial que acompañó a Chávez en sus numerosas giras alrededor del mundo. “Con la bella mujer tuvo un largo romance, literalmente en las nubes, y una pequeña hija que es el vivo retrato de su padre. La relación con la aeromoza se mantuvo velada y en secreto como su enfermedad, en el mismo plano y con el mismo cerrojo, hasta que se desveló después de su defunción”, escribe la autora. “Vinogradoff -dice el escritor Rafael Arraíz Lucca en el prólogo- va penetrando en el laberinto y va hallando huellas que no formaban parte del espectro de su pesquisa, pero que le añaden sustancia al relato y alimentan el retrato de un personaje inevitable de la vida venezolana”. En el libro se revelan los “misterios” que rodearon su enfermedad. A distancia, el médico venezolano desafió el “telón de hierro”, que impuso la parte oficial, y logró informaciones valiosas directamente de fuentes venezolanas y cubanas que le permitieron hacer un diagnóstico interpretativo sobre la deteriorada salud de Chávez, la cual de conocerse oportunamente, habría hecho evidente que no estaba en condiciones de reelegirse en el cargo. Así que el ocultamiento de su verdadero cáncer sirvió al chavismo, tras bastidores, como instrumento para controlar y corromper el poder en Venezuela más allá de su muerte. La primera versión impresa fue producida por Libros El Nacional bajo el título de El ocaso del comandante, pero debido a las dificultades de editar libros en el país quisimos presentar esta nueva versión actualizada y ampliada.

  • Sales Rank: #432700 in Books
  • Published on: 2016-07-15
  • Format: Large Print
  • Original language: Spanish
  • Dimensions: 9.00" h x .59" w x 6.00" l,
  • Binding: Paperback
  • 258 pages

About the Author
Ludmila Vinogradoff Sorokin comenzó su carrera periodística en El Nacional, cubriendo las fuentes políticas y económicas. Ha sido corresponsal internacional en Caracas de El País de España y la revista Semana de Colombia. Actualmente trabaja para el diario ABC de España y Clarín de Argentina. Nació en Shangai, China, de madre rusa y padre chino. Buscando la libertad su familia desembarcó en Venezuela. Se graduó en la Universidad Central de Venezuela y después realizó un posgrado sobre Cine y Comunicación de Masas en la École des Hautes Études en Sciences Sociales en París. Su pasión por la investigación para escudriñar la verdad la ha llevado, por más de 25 años, a desvelar escándalos de corrupción que han marcado un hito en la historia política nacional.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A strange and interesting story!
By Beth
Had the opportunity to read this. A very interesting rendition of the story behind Hugo Chavez's illness and death and all the secrecy that surrounded it! Hopefully, there will be an English version soon

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Kamis, 06 Januari 2011

[Q553.Ebook] Download The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

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The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís



The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

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The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

A NEW YORK TIMES BEST SELLER

"I was born at the beginning of it all, on the Red side―the Communist side―of the Iron Curtain." Through annotated illustrations, journals, maps, and dreamscapes, Peter Sís shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sís learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities―creativity could be discouraged but not easily killed.

By joining memory and history, Sís takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art. This title has Common Core connections.

The Wall is a 2007 New York Times Book Review Best Illustrated Book of the Year, a 2008 Caldecott Honor Book, a 2008 Bank Street - Best Children's Book of the Year, the winner of the 2008 Boston Globe - Horn Book Award for Nonfiction, and a nominee for the 2008 Eisner Award for Best Publication for Kids.

  • Sales Rank: #62630 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2007-08-21
  • Released on: 2007-08-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.62" h x .43" w x 9.38" l, 1.27 pounds
  • Binding: Hardcover
  • 56 pages

From Publishers Weekly
Starred Review. Born out of a question posed to Sís (Play, Mozart, Play!) by his children (Are you a settler, Dad?), the author pairs his remarkable artistry with journal entries, historical context and period photography to create a powerful account of his childhood in Cold War–era Prague. Dense, finely crosshatched black-and-white drawings of parades and red-flagged houses bear stark captions: Public displays of loyalty—compulsory. Children are encouraged to report on their families and fellow students. Parents learn to keep their opinions to themselves. Text along the bottom margin reveals young Sís's own experience: He didn't question what he was being told. Then he found out there were things he wasn't told. The secret police, with tidy suits and pig faces, intrude into every drawing, watching and listening. As Sís grows to manhood, Eastern Europe discovers the Beatles, and the Prague Spring of 1968 promises liberation and freedom. Instead, Soviet tanks roll in, returning the city to its previous restrictive climate. Sís rebels when possible, and in the book's final spreads, depicts himself in a bicycle, born aloft by wings made from his artwork, flying toward America and freedom, as the Berlin Wall crumbles below. Although some of Sís's other books have their source in his family's history, this one gives the adage write what you know biting significance. Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now. Ages 8-up. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* In an autobiographical picture book that will remind many readers of Marjane Satrapi's memoir Persepolis (2003), Sís' latest, a powerful combination of graphic novel and picture book, is an account of his growing up in Czechoslovakia under Soviet rule. Written in several stands, the somewhat fragmented narrative never dilutes the impact of the boldly composed panels depicting scenes from Sís' infancy through young adulthood. Throughout, terrific design dramatizes the conflict between conformity and creative freedom, often through sparing use of color; in many cases, the dominant palette of black, white, and Communist red threatens to swallow up young Peter's freely doodled, riotously colored artwork. The panels heighten the emotional impact, as when Sís fleeing the secret police, emerges from one spread's claustrophobic, gridlike sequence into a borderless, double-page escape fantasy. Even as they side with Peter against fearsome forces beyond his control, younger readers may lose interest as the story moves past his childhood, and most will lack crucial historical context. But this will certainly grab teens—who will grasp both the history and the passionate, youthful rebellions against authority—as well as adults, many of whom will respond to the Cold War setting. Though the term picture book for older readers has been bandied about quite a bit, this memorable title is a true example. Mattson, Jennifer

Review

“The ecstatic energy and big-spirited inventiveness of the artist's drawings make the once all but unimaginable realization of that dream visible for all to see.” ―The New York Times Book Review

“Sís' most ambitious and personal book.” ―USA TODAY

“A sophisticated and sobering picture book exposé.” ―The San Francisco Chronicle

“The Wall makes for irresistible reading.” ―Washington Post Book World

“Mr. Sís's account belongs as much in the living room as it does in the nursery.” ―The Wall Street Journal

“Peter Sís [is a] master of the not-necessarily-for-children picture book.” ―The Los Angeles Times Book Review

“Peter Sís's The Wall... may be his finest book to date - no small feat.” ―The Boston Globe

“Glorious artwork.” ―Elle

“Will both engross and haunt his audience.” ―Starred, The Bulletin of the Center for Children's Books

“Complex, multifaceted, rich in detail . . . [Sís's] concluding visions of freedom are both poignant and exhilarating.” ―Starred, School Library Journal

“A masterpiece for readers young and old.” ―Starred, Kirkus Reviews

“Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now.” ―Starred, Publishers Weekly

“The deployment of media choices and color throughout the book is both expert and telling: bold, stark black marker for an invading Soviet tank, dreamy blue crayon for the night the Beach Boys played Prague . . . a comprehensive portrait of an era, an artist, and the persistence of the latter in the face of the former.” ―Starred, The Horn Book

“A powerful combination of graphic novel and picture book . . . Terrific design dramatizes the conflict between conformity and creative freedom.” ―Starred, Booklist

“Simply and effectively illustrates the history of Czechoslovakia's struggle with totalitarianism and evokes the dreams of his repressed people.” ―VOYA

“This stunning book is a MUST for anybody who is curious to learn about the world we live in!” ―Milos Forman, Oscar winning-director of Amadeus, One Flew Over the Cuckoo's Nest

“Peter Sís's book is most of all about the will to live one's life in freedom and should be required reading for all those who take their freedom for granted.” ―Václav Havel, former president of the Czech Republic

“Peter Sís, who has entranced children and adults with his magical stories and drawings, has taken his talent to a new level. Peter, born to dream and draw, is now also teaching the tragic history of his native Czechoslovakia under communism in this beautiful, poignant, and important work for those of all ages. ” ―Madeleine Albright, former U.S. Secretary of State

“This extraordinary achievement is a powerful reminder of the hard-won freedoms that drew so many to this country's shores.” ―Shelf Awareness

Most helpful customer reviews

25 of 26 people found the following review helpful.
Not only for children...
By Karel Kriz
Not only for the children:

Everybody is familiar with the saying "we take certain things, like freedom for granted". Peter Sis' book is about living in a country where this self-evident asset did not exist. Bear in mind, the author does not write about some high ideas whose proclamations would endanger the state. He is talking about criticizing government actions within a scope of a neighborly gossip - one cannot complain about the shortages of particular goods, telephones are bugged, certain books and films are banned, press, art and whole culture are censored, foreign radios are jammed, letters are opened and censored, informers are rewarded for snooping etc. "Yes", some readers might say "we already read about it so many times, and the cold war ended seventeen years ago". Of course, books were written about it and some adults even read it, but what is new about this book is its target. It is aimed for the children. The author, a world famous children books illustrator was born in former Czechoslovakia under the Communist regime and he presents the way of life during that terrible period as seen with the children eyes. The book is illustrated with the child -like, but artistic drawings. One might classify it as Comics for the gifted children. Since the facts are refined by the child lenses, I would recommend to read it together with the parents and I am certain that both sides will benefit. Specifically two chapters titled "From my Journals", where the necessary historical ,political events are recorded, could be fully understood only by the High school and higher up students. Since I lived under that system during my adolescence years I could testify for the accuracy of the facts with the understandable omission of the gruesome show trials, where the innocent people were sent to gallows or to heavy imprisonment in the concentration camps. We are aware that it is for the children and we hope that they will learn from it more than our generation did from the books for the adults.
I could voice only one critical comment. The author did not explain how this system came to power as experienced by a common man. Especially the children are prone to follow the logic of the "good guys" against the "bad ones". In general it followed the same path as any would-be totalitarian system. The Communist Party did not proclaim its final goal: total power. In the transient democratic period it promised to the masses essentially a heaven on the earth, for any problem, however complicated offered simple solution, in other words they pretended to be "good guys" and they succeeded... Once in power the Communists simply did not allow any free elections. Of course they were helped by the threat of the Soviet invasion, which had to come anyway many years later. This way presented lesson could help better to-days children to orient in the politics around us.
I strongly recommend this book as an educational and entertaining medium for the whole family.

Karel Kriz,
Boulder,CO

40 of 50 people found the following review helpful.
Scale it
By E. R. Bird
Totalitarian regimes make for good children's books. They just do. What could be more inherently exciting plot-wise than a world in which you never know who to trust? Where children report parents to the police and freedom and creativity are stifled under the boots of oppressors? That makes for good copy. This year alone we've the Cultural Revolution book, Revolution Is Not a Dinner Party by Ying Chang Compestine and the much discussed Peter Sis title, "The Wall: Growing Up Behind the Iron Curtain." "The Wall" brings together your standard gorgeous Peter Sis imagery with content that is sure to cause debate and interest. Though it's not a book I would necessarily site as a personal favorite and that I have a couple issues with, I appreciate that Sis has created something worth discussing with kids, teens, and adults alike.

He was born at the very beginning of The Cold War in Czechoslovakia. A kid with a penchant for drawing, right from the start, we watch as the growth of young Sis is paralleled with the rise of fear in his nation. Peter draws at home and at school and alongside this story we read of the compulsory and discouraged actions both required and prohibited by the government. The drawn sections are broken up by journal entries Sis wrote at the time, reflecting his beliefs and dreams. With the late 1960s, Sis was entranced by Western influences, a dangerous thing at the time. Near the end, Sis dreams of flying away above it all with wings made out of his art. His escape is cemented by the fall of the Berlin wall in 1989 and an Afterword explains how he left and what Prague is like now.

This is certainly an earnest book. Not humorless, but certainly gung ho in its love of all things American. It's difficult to criticize a book on that basis since what Sis has gone through is unlike anything I could understand or appreciate. The book feels like a cathartic release but it lacks distance. There's a danger of the author being almost too close to his material. Compare "The Wall" to Persepolis and you see the difference. The content is similar but the approach varies wildly. Satrapi is part of the story and, at the same time, removed. She doesn't simplify the story into strict terms, but instead allows the audience to draw their own conclusions based on the information she presents to you. I just don't feel that Sis has done that here. He tells you what to think of the subject matter and when to think it. For example, without batting an eye he suggests that Europe is said to contain, "Truth. Integrity. Honor. Liberty. Virtue," etc. while on the East side of the Berlin Wall there is only, "Envy. Stupidity. Lies," and so forth. He has every right to do so, particularly when you consider that this may be an image of what the young Sis believed lay in the West rather than what was really there. Unfortunately, as it currently stands, the image suggests that the readership not draw their own conclusions and accept the "Virtue" on top of Western Europe and the "Envy" on top of the Eastern half. Even the oppressors are featured with pig noses rather than looking like average everyday joes. How much more interesting it might have been to make the bad guys as human as the good guys. How much more interesting if, like Satrapi, he'd been able to take that one baby step backwards and not tell us what to believe.

Audience has never bothered Peter Sis, so I doubt we should let it bother us either. To my mind, this book is ideal for high school students. You can teach and teach the Cold War to them all day, but unless they get a little primary source material presented in an interesting fashion, who knows how much information they're actually going to take in? Kids might like this book, but they probably won't be able to understand the journal passages. I appreciated that Sis did find a way to make the book kid-friendly, though. At the bottom of each page are sections that can be read to kids and that make sense of young Peter's life. It's only when you read the captions that pop up on the sides of these pictures that you understand the background behind such innocuous statements as, "He didn't question what he was being told."

The journal passages were especially interesting to me. I liked the photographs of young Sis (particularly the hunky mop top with the raised eyebrow) and the glimpses of his art surrounding these passages. It was particularly interesting that Sis' professor at the Academy of Applied Arts was Adolf Hoffmeister who wrote "Brundibar". I wonder now how Sis felt about the Tony Kushner/Maurice Sendak picture book version of that tale. The information and details found in these journals just about make up for the lack of a Bibliography in the back. I suppose that since this is a first-hand account, Sis didn't need to scout out kid-friendly sources to give some context to his lesson. Still, that means that we're being told what to think about these events without a secondary source of any sort. It would be nice if kids were able to learn more about these times on their own, say, with a list of useful websites or books on the subject. I've been discussing whether or not Bibliographies are necessary in picture books. Maybe not always, but if I'm going to recommend this book to teens as well as kids as a bit of non-fiction (and the Dewey call number is 943.704092, after all) then I'm going to want some secondary sources.

The comic book bloggers have been calling this book a picture book graphic novel, and have claimed "The Wall" as their own. It's a very interesting take. At first glance I just assumed that this story was similar in its layout and structure to the Galileo and Darwin books Sis has put out before. And it is, in a way, but then I took a closer look at the structure. Though this is not the case on every page, the art is consistently broken into panels. There aren't speech balloons or much in the way of text integrated within the pictures. Because the words surround the pictures, the eye has something to dance between. The tiny dot style Sis employs here works beautifully within the context of the story. Colors stand out against a black and white background. With the exception of the color red, nothing in Prague is allowed to be colorful. Only Westernized objects and ideas appear in anything but pen and ink. The two-page multi-colored spread of the Spring of 1968 (shown here) stands in sharp contrast to the red-infused earlier spread of Stalinism and its ilk.

Sis hasn't won a Caldecott Award proper quite yet. He's been honored for Tibet Through the Red Box and Starry Messenger (not The Tree of Life, bizarrely) but "The Wall" is bound to be the best bet he's had yet. It's a beautiful book and no one is going to contest that. Shoot, it's already gotten at least four starred reviews in professional journals and is bound to garner some more. Come award season it'll sweep the nominations and everyone will get to hear a lovely Peter Sis speech (he's a very good public speaker) and it will all be lovely and droll. I don't object to the book winning, but I do wish the heavy hand guiding it could have trusted the audience a little and not spelled out its message quite so blatantly (i.e. "America to the rescue"). It's quite an accomplishment but one that could have stood a drop of irony in the mix.

10 of 11 people found the following review helpful.
mommyreader
By Jayne
This wonderful book manages to be both creative and insightful, documenting life behind the Iron Curtain during the Cold War in words and graphic design. Peter Sis's use of color in his intricate illustrations highlights and enhances the matter-of-fact language of his text. He has managed to create a journal, biography, and social/historical commentary that is fascinating reading for older children and adults alike.

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