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Dada Movement, by Rizzoli
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An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 230 pages; Description: 230 p. : ill. (some col. ) ; 36 cm. Includes bibliographical references (p. 217-222) and index. Subjects: Dadaism. Arts, Modern --20th century.
- Sales Rank: #7282689 in Books
- Brand: Brand: Rizzoli
- Published on: 1990-06-15
- Released on: 1990-06-15
- Original language: English
- Number of items: 1
- Dimensions: 14.25" h x 12.75" w x 1.25" l,
- Binding: Hardcover
- 220 pages
- Used Book in Good Condition
From Publishers Weekly
Dada art was not a nihilistic negation of culture, contends French art historian Dachy. Rather, the movement's provocation and humor were an affirmation of new freedoms as dadaists liberated materials (object-sculptures, pasted papers), words (automatic writing), language (concrete poems, free prose, sound poems) and brought an anticonventional spirit to photography, filmmaking, typography, collage and book design. Dazzlingly illustrated with 120 color reproductions and some 200 black-and-white photographs, this sweeping chronicle follows Dada from its utopian phase when Tristan Tzara, Hans Arp and Francis Picabia espoused a constructive vision, through its rejection of the idea of progress and its turn to pure vocal and visual gestures as a way of deconstructing socially given behaviors, personas and ideas. Artists as far apart as Russia, New York, Holland, Spain and Germany carried forward the original Dada impulse that stunned Zurich in 1916. Serious students of Dada or surrealism will want this slipcased album.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
This is the latest volume from Skira/Rizzoli on modern art movements. Dachy's text is a real scholarly compilation on the artists, manifestoes, and publications of an intriguing, and often hard-to-describe, rebellion. The result is a collective redefinition of the Dada movement. The chronology, bibliography, and index are superb entry points and are aided by high-quality illustrations. However, the extremely academic focus of this work may well put off the general reader. Serge Lemoine's Dada (Universe, 1987) and John Erickson's Dada: Performance, Poetry, and Art (G.K. Hall, 1984) offer more digestible insights on Dada and its impact on subsequent art. Nevertheless, Dachy's monograph is essential for academic and museum libraries covering the Dada movement. Every key aspect of Dada philosophy appears here, accompanied by relevant artist and text citations.
- Paula A. Baxter, NYPL
Copyright 1990 Reed Business Information, Inc.
Language Notes
Text: English (translation)
Original Language: French
Most helpful customer reviews
1 of 1 people found the following review helpful.
The best general work on Dada - reissue it NOW!
By A Customer
An excellent, comprehensive overview of the Dada movement, extending well beyond the dates in the title! Although the translated text is occasionally a bit clunky, it is quite readable and informative - and even without it, the extensive collection of photos and high-quality reproductions of key Dada art pieces would make this book an important reference work on their own...a shame it is currently unavailable! One hopes this problem will soon be rectified.
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